He is doing what should have been done with the last three of the Skywalker Saga.
Jon Favreau is going back to what made Star Wars great. Hat tips to story tellers of the past and believable character interactions. The way they are writing the other venerable old hunter is outstanding. He is not a Vilnian, not an Anti Hero, not a Hero. He has his own code and is abiding by it. Such good writing.
In one episode, House had a dream in which Cuddy was pole dancing (or something similar). Still trying to figure out if she got a body double to do that dance scene.
You get some chick screeching at the top of her lungs, flailing around like a crazed octopus at the pair of pix — her baby and ostensibly da baby-daddy — up on the Big Screen…
“Look, Murray! Murray… Murray… look! Lookit the eyes, lookit the haid, lookit the mouf! They twins! How he deny his baby?? They both got the same big haid! Look!”
She “a thousand percent sure!”. Uh-huh.
And the audience is happily cheering her along.
And meanwhile, they’re:
And I’m like, “Uhhhhh, wait… what??”.
Of course, the results are in, and it’s invariably, “Antonio, you are not the father…”.
And then the chick runs backstage and flops around on the floor like a freshly-landed fish.