That’s my bad… I meant to say +11 magenta. White balancing is just setting a true neutral white point, where warm to cool color temperature is completely balanced, and green to magenta tint is completely balanced. Since sunlight is slightly green tinted, my camera’s sunlight white balance factors in a little bit of magenta when set to sunlight white balance, because it wants to make whatever the sun lights up void of any tint. Since the Optisolis is designed to mimic the sun, it too also has that tiny bit of green tint to it, so this is the best possible white balance for the Optisolis. Other cameras’ sunlight White Balance vary from 5000 to 5700 kelvin, but they’ll all have a slight magenta boost to compensate for the sun’s tint.
I agree with that.
Depends on the tint bin of SST20 being offered. Fireflies has been good as of late for providing pink-tinted SST20s. The problem with the SST20s however, is they turn greener at lower outputs, whereas the Nichia emitters mitigate that. Having 12 SST20s in my ROT66, each individual emitter is really low output for most of my usage, so the 804 brings them back down to a neutral duv (to my eyes anyways). In turbo modes, they look just as pink as SW45k.